Aditi is a French journal on traditional Hinduism. The first two issues were bilingual. Starting with the third issue, the journal will be published only in French.

Issue 2: Kali Yuga

Editorial
Renaud Fabbri

Interview with Swami Amritananda Saraswati

Morning Remembrance Hymn: Prātaḥ Smaraṇa Stotram
Ādi Śaṅkara (trans. Ira Schepetin)

Section on the Kali yuga

Alchemy of Time: Kashmir Shaivism on How to Kill Death and Be Time Rather Than a Victim of It
David Dubois

History and Time: an Indian Perspective
Álvaro Enterría

Postmodernism and the Signs of Time
Patrick Laude

From Self-Mastery to Self-Surrender: Silver Linings in the Dark Age of Kali
Vasanthi Srinivasan

The Theory of the Ages: From The Laws of Manu to Plato’s Republic
Martine Chifflot

The Time of the End and the End of Time: The Dialectics of History in René Guénon
David Bisson

At the Root of Evil? Eric Voegelin and India
Renaud Fabbri

Order in the online store.

Issue 1 : Guru & Disciple

Aditi1Cover Editorial (pdf)
Renaud Fabbri

“The seed will never perish”: Interview with Swami Swarupananda Saraswati

The Master-Disciple Tradition in India
Álvaro Enterría

The Traditional Vedantic Method by which a Guru enlightens the Student
Ira Schepetin

Questioning Authority: Reflections of the Sage of Kanchi on the Guru-Shishya Relationship
Vasanthi Srinivasan

The Guru at the intersection between the Path of Knowledge and the Path of Love
Martine Chifflot

The Master-Disciple Transmission in Ancient India from Transformation to Awakening according to the Kashmir Shaiva Philosopher Abhinavagupta
Colette Poggi

Means to the End and End of the Means: Reflections on Guru, Mantra, Upāya and Upeya
Patrick Laude

Sundaram Sadhana Pada: the Path of Beauty
Sarah Vieira Magalhaes

« Guru and disciple »: a Documentary Film on the Vedantic Path of Self-Realization
Renaud Fabbri

Order in the online store.

Dr. Smt. Sucheta Chapekar is one of the most accomplished representatives of Bharata Natyam in today’s India. An artist of rare sensitivity and grace, her dancing career spans over a period of more than fifty years. She distinguished herself by her notable contribution to Bharata Natyam and received the very prestigious National Prize of the Sangeet Natak Akademi.

Sarah Vieira Magalhaes is a graduate of Dramatic Art, Portuguese Language and Literature. In 2008, she moved to India and since then she has been learning Bharat Natyam under the guidance of Dr. Sucheta Chapekar. She also earned a degree in Nritya Shastra from the Nalanda Dance Research Centre in Mumbai, and a Master in Philosophy from the University of Pune. She is currently researching the origin of Indian classical dance at the Bhandarkar Oriental Research Institute in Pune.